GUY’S GUY: An Interview with Gian Keys of THE LOVE WITCH

thelovewitch_kingofficeInterviewee Gian Keys (above), appearing as Detective Griff Meadows in Anna Biller‘s latest film, THE LOVE WITCH. / Image rights belong to respective owners and not DRC.

The Love Witch marks filmmaker Anna Biller’s triumphant return to the spotlight, after previous genre hit Viva. Find screening dates here.
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With an incredible Rotten Tomatoes score of 95%, The Love Witch “offers an absorbing visual homage to a bygone era, arranged subtly in service of a thought-provoking meditation on the battle of the sexes.” — Rotten Tomatoes, 2016. 
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DRCYou’re no stranger to genre acting. Heading into the new year in the coming months, we are seeing a gradual push for independent cinema becoming the norm. What’s your take on the current state of mainstream cinema?
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KEYSFirst, I’d like to say, ‘Thank you,’ for giving me an opportunity to be a part of DRIPPING RED CINEPHILE.  It seems the big studios do a lot of comic book movies and sequels.  I’ve heard it’s because there’s less risk involved, which makes sense from a business standpoint.  Although, it could mean fewer original movies being made, which can be frustrating to those of us who enjoy a great story surrounded by beautiful cinematography and fantastic performances.  I’ll admit, I do enjoy my fair share of car chases and crazy CGI effects, but I usually prefer a film with more substance, layers, a message, and not simply loud noises to distract me from everyday life. 
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DRCAnna Biller is quite the powerhouse filmmaker. The Love Witch brings a new type of narrative to audiences potentially unaware of the forgotten genre films of the 1960s. What was your initial reaction after reading Ms. Biller’s script for the film? Tell us a little about the creative process with her.
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KEYSWell, I wasn’t sure what to think, because I’d never read anything quite like it. So, I had to read it again.  I definitely liked the character I played — Detective Griff Meadows — because I can relate to him on so many levels.  I spent four years in the U.S. Air Force, so I’m familiar with the idea of having strict rules to follow and being a rather straight-laced kinda guy.  The more Anna and I talked about the project, the more I could see what she was going for.  Initially, it’s difficult to see how all the colors were going to come into play, but Anna had a  clear vision of what she wanted and she explained it very clearly.  I wasn’t overly familiar with movies from the ’60s and ’70s, so Anna gave me a list of films to watch.  This played a big part in helping me to understand how she wanted Griff Meadows to be played.  I’d say we worked very well together.
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DRCGriff, the primary male-lead in The Love Witch, arguably represents the power of masculinity and the early-1960s fear of challenging the patriarchy. His character initially reinforces the stereotype of men being dominant over women, but later changes in the second half of the film. How did you mentally approach the role? In your opinion, what does his character represent?
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KEYS:  I’ve learned a lot from my acting coach, Joe Palese. He talks about how important it is for characters to have a an arch during a film, instead of being one-note throughout the entire piece.  So, things that happen to Griff Meadows need to affect and change him in some way.  He’s a dominant male from the ’60s, but he’s also quite human.  I wanted to combine how men were perceived on film during that era, but also include the human aspect that exists in all eras.  I think he represents a certain type of man — the rugged, masculine, guy’s guy who was raised properly and taught the importance of being honest and doing the right thing.  He also represents the traditional male who’s in charge and probably uses the philosophy of, ‘It’s my way or the highway.’
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DRCThe Love Witch directly challenges the very concept of sexuality, in its unabashed disconnect of sexual physicality and actual romantic connection. Tell us a little about what the character of Elaine, the witch herself, represents, to you, about ‘sexuality.’
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KEYSAh, yes, sexuality.  Well, sexuality can be weird, awkward, and uncomfortable at times.  Elaine is young, and she’s simply trying to figure out what works for her.  Men and women are quite different, so I think it’s great she’s trying to understand how men tick.  However, in the process…she ends up killing a few.  Uh oh, is that a spoiler alert?  Elaine may have underestimated herself.  I don’t believe she needed any ‘love magic’ to attract Griff Meadows. 
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DRCThe film has been getting insane press and amazing reviews in the past several months. With a bigger spotlight being placed on indie genre cinema, what other types of ‘genre film’ would you like to see hit the big screen? Any dream roles or types of characters you’d like to play in the future?
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KEYSI’d like to see more Film-Noir.  I recently saw La La Land, which I really enjoyed, so maybe a bit more from the Musical genre.  After seeing Ryan Gosling in La La Land, I think it’d be a heck of a lot of fun to learn to sing and dance for a musical.  I took several months of voice training for The Love Witch, so I’m well on my way to singing. Ha-ha!  I’d also like to do a gritty Western, like some of the old Clint Eastwood movies.  I took four lessons on horseback riding for The Love Witch, so I’m halfway there to ropin’ and ridin’.
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DRCYou recently co-created an original series — F***in’ Actors. Obviously a comedy. Tell us a little about the series, and how we can surely get hooked. Where’d the initial concept come from, and what can we see from your character on the series?
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KEYSWell, F**KIN’ ACTORS was originated by myself and my friend, Ashton Bingham.  Ashton’s great with comedy.  We were both in the same acting class, and I approached him on putting together some short comedy scenes, so I could put together a comedy acting reel.  He then got the idea  that we do more with it and possibly create a series.  Actors, and many of the things actors do in order to be successful, are quite bizarre, especially to those who don’t know exactly how the industry works.  We essentially set out to make fun of ourselves doing the varied things actors do.  Ashton and I are very different.  We’re similar to the characters Jonah Hill and Channing Tatum play in the Jump Street movies.  A bit of the blind leading the blind.  My character, Chase Anderson, is very high-strung and intense.  He’s like the bull in the China shop, whereas Ashon’s character is far more mellow. We decided to enter our series into a few film festivals, and the next thing we knew, we’d won six awards for Best Web Series.  It blew our minds.  Our main platform is YouTube.  If you type in ‘F**KIN” ACTORS,’ all seven episodes will pop up. 
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DRCWhat can we expect to see from Gian Keys in the future? Any other upcoming projects we’ll get to see on the big screen?
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KEYSGian Keys is working his way up the Hollywood acting ladder.  The Love Witch is the biggest role I’ve had, and it’s leading to some wonderful connections and opportunities.  It’s a bit early to mention projects, because I don’t want to jinx myself.  Ha-ha! Not that I’m superstitious or anything.  Later today, I’ll be doing an interview with Huffington Post about The Love Witch and my career, so I’m quite excited about that.  Gian will continue to pound the pavement and beat the bushes, in order to become a super successful actor.
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DRCLastly, we have to ask — if your character in The Love Witch were to get involved with magic or witchcraft, what would his spell be? To go a step further, what would Gian Keys’ spell be, in real life?
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KEYSGriff Meadow’s spell of choice would be a ‘truth’ spell.  He’d like to be able to tell if anyone is lying, which would help him put away the ‘bad guys.’  Gian’s spell of choice would be a fountain of youth spell — which probably isn’t a spell — but then, his family and friends would be around forever.
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To follow Keys’ career, be sure to check in with his Twitter, Facebook, and Instagram/ DRC thanks Mr. Keys for his time, and wishes him a long career filled with success.

NIGHTMARE NATE: An Interview with Nathan Thomas Milliner

DRC - NATEInterviewee Nathan Thomas Milliner (above right). / Milliner’s artwork for Scream Factory titles Halloween II, Halloween III, The Burning, The Howling (bottom left). / Artwork for Volumes of Blood (above left). / Image rights belong to respective owners and not DRC.

Nathan Thomas Milliner is giving back to the world that so inspired him as a child. As a writer, director, and artist, Milliner’s work can now be seen around the world. Though Nate is most known for his recurring work with Shout!/Scream Factory — in designing newly-commissioned artwork for DVD/Blu-ray releases –, his work in the independent horror scene is also picking up massive momentum. Milliner’s debut directorial feature, A Wish for the Dead, was shot in 2011, and is finally being released this year. Along with the debut, Milliner is also behind the critically-acclaimed short fan film The Confession of Fred Krueger, as well as segments in Volumes of Blood and its upcoming sequel, Volumes of Blood: Horror Stories.
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Milliner’s original artwork for the Halloween 4 cast reunion at HorrorHound Weekend Cincinnati 2010. Find more of his brilliant work here.
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In between his busy work load, Milliner had the time to chat with DRC writer Tyler Keeton on the importance of the horror genre, the genre fandom, and the future/current state of horror cinema. Check out the interview below!
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DRCAs someone so well-versed in the realm of horror, what is the importance of the genre, to you? What initially drew you to the genre?
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MILLINERThe importance of the horror genre is essentially to make the audience apprehensive before they walk into that theater to sit down.  Keep them nervous and uncomfortable–scare them a lot, if you can–make sure they laugh a few times and, ultimately, walk out feeling they just had a very fun time.  That was what drew me to the genre.  It was fear at first, and then that undeniable sense of fun you get in watching.
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DRCYour artwork is breathtaking. Your originality shines through with each creation. As you have served on commission for Scream Factory’s releases of Halloween II, Halloween III: Season of the Witch, The Funhouse, Terror Train, Deadly Blessing, The Burning, and The Howling, what has been your proudest artistic accomplishment to date? What release was the most challenging, in terms of wanting to please the horror fandom?
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MILLINERI’m not sure what my proudest artistic accomplishment has been, as I have been very fortunate to have several.  I would say maybe a tie between the cover to the Never Sleep Again: The Making of a Nightmare on Elm Street coffee table book, the blu-ray cover of Halloween II (my first), or one of my films.  Either Encyclopedia Satanica or The Confession of Fred Krueger.  Each cover is a challenge, although some come easier than others.  But the responsibility to the fans is in every job.  I have to show my respect not only to the film, but to those who love it.  I need to understand the film and understand why those fans are so obsessed.
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DRCAlong with your original artwork, you are also a writer, director, actor, and producer. Tell us a little about the 2009 film Girl Number Three. Was it difficult transferring  pieces from your own graphic novel into someone else’s hands for a screenplay and feature film?
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MILLINERI had written Girl Number Three to be a short film for me to one day direct.  So yeah, it was hard turning it over to another artist to direct.  Luckily, I was asked to write the screenplay — although the director had some requested changes.  It was tough, but he said to me one day, “You have to let me make it.”  So, from that day on, I did my very best to keep out of his way.  Let him take the reigns. It is important that the director has that freedom and single vision.  I think Herschel felt more pressure to please me than I had letting him take it.
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DRC2015’s Volumes of Blood was met with acclaim from fans nationwide. As an attached director, what was it like collaborating with other filmmakers to form a cohesive genre film? Tell us about your own individual contributions.
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MILLINEROn the original Volumes of Blood, I was asked to direct a segment.  I was sent three scripts and the only one I cared for was “The Encyclopedia Satanica, which had been written by a guy named Todd Martin.  While I liked the story, I felt the script needed a major overhaul.  It had potential, but really needed changes and additions or subtractions.  They allowed me to basically rewrite it to fit my vision.  Again, very important that it be the director’s vision.  I did art direction, storyboards and cast the lead actress.  The rest of the cast was assigned.  I had a great time–despite the lack of time–making the film and worked with some of the most talented and hard working people around.  The same crew and half my cast reunited very soon to make Confession of Fred Krueger.  On the sequel, Volumes of Blood: Horror Stories–I am writing two segments, acting in one and directing one I wrote, titled, “Fear, For Sinners Here, which I am currently editing.  My first time as the editor.  Once again, I cast, storyboarded and did art direction on the film.
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DRCAs you directed a short fan film, The Confession of Fred Krueger, it is obvious you have strong devotion and respect for Wes Craven’s original masterpiece. It is very important to note your own fan film was met with acclaim, as many hailed it to be more than a mere “fan film,” and worthy of its own merit and credibility. This had to be exciting for you.
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MILLINERI had wanted to make that film since I was twelve.  It was rewarding in itself just to make it.  Having the fans react so positively and accept it and call it more than just a fan film, or “the best fan film,” and all of those wonderful things, was very nice to see.  I knew many fans would reject it, but the response was definitely more on the positive side.  It was my love letter to Wes.  Sadly, he passed two weeks before it premiered.  But that film is my thank you to him.
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DRCYou recently completed your own feature film, A Wish for the Dead. How has the film translated with the horror fandom, and did you meet your own expectations for the film? It is an extremely admirable feat to touch on so many areas of the entertainment industry and extended independent film community.
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MILLINERWell, the info going around on A Wish for the Dead is false.  It isn’t my new film.  I shot Wish in 2011.  It is just now getting released. But it has been done a very long time.  It was my first time directing, and I was very green.  I was not really prepared to direct that film, and while it is a decent film, it was a very collaborative effort between myself and the director of Girl Number Three.  Making a feature is a tough thing to pull off.  I am excited for those who worked on it to be able to see and share it, but I was a little worried about it being called my new film — as it was made 5 years ago, and I have made three other films since it and have learned and grown so much since.  It is a good film — for a first film, I would say.
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DRCYou have support from so many fans worldwide. How has it been for your wife, Brenda, and daughter, Lily? Are they also fans of the genre? It has to be a creative and inspiring household.
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MILLINERMy wife loves horror.  My daughter is curious.  She is artistic and has grown up on sets and at horror conventions.  Brenda and Lily get recognized and called out to by strangers at cons.  I am sure it can be as surreal for them as it is for me.  The horror community has been good to me.  I love these people.
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DRCWhat and who are some of your own favorite films or filmmakers? Every film lover has his or her own inspirations and idols.
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MILLINERMy top five films are Taxi Driver, Reservoir Dogs, Dazed and Confused, Star Wars, and Raiders of the Lost Ark.  Favorite filmmakers are Tarantino, Scorsese, Stanley Kubrick, The Coen Brothers and really too many to name.  I have had a lot of inspirations and idols.
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DRCIf someone were to ask you how to get started in the writing or film industry, what would be your piece of advice?
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MILLINERDo it every day.  Learn something every day. Work hard, never stop — despite rejection or self-doubt.  Don’t be in a hurry to get success or respect, and enjoy any and all opportunities and successes no matter how small.
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DRCOriginality is key when it comes to creative genius. As so many modern horror films recycle old tropes and cliches, how do you approach your own work?
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MILLINERWe are all essentially recycling the same stories over and over.  It comes down to how you tell it, your vision, your style, your personal voice, and your execution.  I always try to make left turns.  Hemingway said great writing is leading the reader down the same path they know and then when they know where they are going, go the other way.  Paraphrasing, but it has always worked for me.
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DRCWhat is the importance of the horror fandom, to you?
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MILLINERFans need to lighten up and remember that this genre is about having fun.  I fear the community has turned on itself a lot.  Cannibalizing itself.  The elitist and so-called “true fans” are making the genre a sour place to hang out.  Remember what it was like renting that crappy b-movie with your friends over pizza and soda and just having a blast with a scary movie?
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DRCLastly, let’s say you are cast in a reality series documenting your own life and work. What would your tagline be?
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MILLINERWake up every day and make something.
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Be sure to follow Milliner’s brilliant work on his website, as well as IMDB, Facebook, and Twitter.

NIGHTMARE GLAM: An Interview with Tuesday Knight

DRC - TUESDAY INTERVIEWInterviewee Tuesday Knight, alongside Freddy Krueger (Robert Englund) [above left] in A Nightmare on Elm Street 4: The Dream Master – 1988. / DRC writer Tyler Keeton (above right). / Image rights belong to respective owners and not DRC.


Tuesday Knight is a powerful artist – in all senses of the word. Knight is known as an actress in one of the most influential horror franchises of all time. She portrayed character Kristen Parker, the final girl of the previous film, in A Nightmare on Elm Street 4: The Dream Master. Knight followed in the footsteps of actress Patricia Arquette, who also played Parker in A Nightmare on Elm Street 3: The Dream Warriors. The horror fandom may remember Knight for her legendary performance, but there are layers upon layers of incredible talent surrounding her. Knight is also a fashion designer, crafting incredible pieces for Madonna, Cher, Paris Hilton, and more. Along with her experience in the world of fashion, Knight has also had a successful career as a musical artist. Her most popular single, “Nightmare,” was featured in A Nightmare on Elm Street 4: The Dream Master (listen above). Knight released an 18-track album, Faith, in 2012, and is currently the lead singer of Rapture: The Blondie Tribute band.
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Over the years, Knight’s extensive acting career has continued to grow, featuring performances in major films and television series. She has appeared in 33 films, and 8 television series. Knight’s career has spanned several genres, not just horror. She has even been cast to star as herself in two films (Wes Craven’s New Nightmare and the 2010 major blockbuster Sex and the City 2). With that many credits, it is undeniable to say the actress has achieved a milestone in the entertainment industry.
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In a brand new interview with DRC writer Tyler Keeton, Ms. Knight discusses the meaning and importance of horror as a genre, her own experiences working with the legendary Wes Craven, and the difference in the modern entertainment industry as compared to the golden age of slasher cinema. It is an absolute honor to have Ms. Knight featured as a guest on Dripping Red Cinephile, and we look forward to working with her again in the future, as her career continues to dominate popular culture. Read the exclusive interview (below).
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DRCFebruary has been deemed Women in Horror Month. As an important icon in the horror industry, what exactly does the word “horror” mean to you? What establishes and sets apart the genre from others?
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KNIGHT:  I had no idea that February has been deemed as Women in Horror Month! I think that is great!  (Laughs) Do people really think I am an important icon in the horror industry?  I really never felt like I was much a part of it, other than doing Elm Street 4. Most of my career has been drama and comedy.  But if people are saying I am an icon in this genre…then, I just have to say I am honored and grateful.  The word “horror” means fear to me; the utter most terrifying moment in someone’s life, or in a situation. What sets the horror genre apart from others? Many things.  There is usually a hero, and not all films have heroes.  It [horror] is usually not driven in that direction. Or everyone just doesn’t win. But 80’s horror has a particular ingredient in the mixture, and that is CAMP.  New horror films don’t have this. It’s always fun to watch something that is a classic, and then to watch the formula in the new horror.  So different.
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DRCWomen in the horror genre often get overlooked in modern entries. You are a part of the timeless Nightmare legacy. What was it like, immersing yourself into the fandom of the franchise, and portraying such a legendary character? Kristen Parker is one of the most memorable roles in the entire franchise. How did you go about establishing your own originality and devotion to the role, after filling in for Patricia Arquette?
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(Knight [above right] with Freddy himself, Robert Englund, in A Nightmare on Elm Street 4: The Dream Master.)
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KNIGHT: In a way, Kristen was two people — much like Heather Langenkamp’s character.  Patricia and I did two different things. The way it was written in the script for Nightmare 3, Kristen was more of a victim.  She knew nothing of Freddy and what he was about — only that he was terrifying, and that he was using her to kill the kids of Elm Street. So, she was a little green to the situation, I felt. When I came on to do part 4, I was told to emulate Patricia as much as I could. So I went home and watched the film, so I could get a feel.  But, as I read the script, I said to myself that this young woman was no victim — at least not in the same way… I thought I was going to bring some attitude and more strength, and that she was on to Freddy and she would do anything…include sacrifice herself for her friends, which ultimately lead to her demise. Looking back and getting lots of fan mail, I would say I must have done a decent job at doing the role.  There are always going to be fans of Patricia’s, and there are going to be people who liked my version better.  I’d say they were both good.
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DRC: Do you have any memories from set of New Nightmare? What was it like working with the masterful Wes Craven? It must have been quite the triumph being in the presence of a genre legend.
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KNIGHT:  Do I ever have memories!  I remember the night before I was to shoot the funeral scene, where Heather’s husband had been killed.  We had the big earthquake here in Los Angeles… and that had been a trend in Wes’s film. It was the scariest thing I had been through, and I just remember grabbing my dogs and running across the street to my Mother’s house.  When we got to set and we had to emulate the fact there was an earthquake, we just felt like Wes made a deal with the Devil and he was going to make people really feel this movie and show that Freddy was coming back. Working with Wes was just a wonderful and valuable experience.  He is a true genius to the genre and he will always be the man who made us like our Nightmares a little bit better. (Smiles) I will never forget the phone call from him asking me to be in the film… I was just so taken back by it.  He made me feel that I had made something of myself, since he had seen a couple of my films and really liked them (Mistress & Calendar Girl), and he loved what I did with the role of Kristen in Dream Master.  He told me I portrayed her like she was meant to be in the original script of Dream Warriors.
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DRCAside from horror, what does acting itself mean to you? What advice would you give to aspiring actors or actresses, attempting to break into the industry? Is there anything you would tell your younger self if you could do it all over again?
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KNIGHTI wouldn’t tell myself to do anything different. I have had such a great and wonderful career in film and music.  I couldn’t be happier. Acting means the world to me. It’s my true love. What advice would I give to people getting into the industry? Well, it has changed a lot since I started.  It used to be about star quality, and you could tell if the camera loved you. Now, it’s about gathering a bunch of children and molding them into products of marketing routine and putting them on camera and, when they are done, they spit them out. It’s so different. You would just have to have the thickest skin…and you can’t give up.  You can’t feel defeated, because once you do, you will start to hate what you loved so much. And when you do have success, you have to treat it like a business.  Tell yourself, “Alright, I am getting up and going to work just like everyone else.” If you have a moment where you think you own the industry and you don’t work for it, it’s over. (Smiles) Let’s just say the industry can be a “NIGHTMARE”.
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DRCSome may not know about your music career. Are you passionate about the other side of the entertainment industry?
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(Cover art for Knight’s 2012 studio album, Faith.)
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KNIGHTThere are many sides of the entertainment industry.  I have been so lucky to have had success in just about every aspect that I have tried. Music was great, that is how it all started.  I got to work with such great people, like Quiet Riot, Aerosmith, Billy Idol, and record 5 records of my own, not to mention many songs for film and television — that people might not even know is me. Then, when I got into acting, that really became my main focus, and that was all I wanted to do.  I was very blessed to have done what I have and to have worked with who I have worked with. Then,  as I was working on my series 2000 Malibu Road, I was making toe rings and anklets, and I was just doing it for fun. My dear friend and co-star Drew Barrymore told me that I really needed to do something with my designs, so that is when I started my first jewelry company. So I have been around, and I love every aspect of being creative.  I just love making art.
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DRCIn such an extensive filmography, what has been your most favorite experience or role? Is there anyone you would love to work with in present day?
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(Knight [above left] alongside co-star Drew Barrymore [above right] in 2000 Malibu Road.)
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KNIGHTI think my favorite role ever was playing Joy on 2000 Malibu Road.  She was everything I wasn’t, and I got to wear this brown wig and a fat suit every day, and those are the roles that actors really love. (Laughs) What a cast on that show.  The director of the series was Joel Schumacher, who is a master at making beautiful films.  And working with Drew Barrymore, Jennifer Beals, Brian Bloom, Scott Bryce and Lisa Hartman was just so much fun.  We became a small family. I also got to know and work with now director Guy Furland, who was Joel’s assistant then. I was then hired on two films outside of the series that he directed, which were The Babysitter and Telling Lies in America. As for who I would love to work with today that I haven’t…I guess would be Charlie Hunnum.
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DRCHorror fans are some of the most loving and charismatic individuals you’ll ever come across. As many would so love to know, what are some of your own favorite horror films?
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KNIGHTI love horror. It is my favorite genre of film.  And they range from decades.  Who doesn’t love The Twilight Zone or Night Gallery?  And I love films like Dolls, Gravedancers, Carrie, Dolly Dearest, Dead Silence, and so many more.
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DRCTell us a little about your jewelry line. Some big names in the industry have worn your pieces.
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KNIGHTThe fashion world is something I like to punctuate my acting and singing career with.  It is just something a little different. I have designed for Madonna, Cher, Britney Spears, Xtina, Drew Barrymore, Paris Hilton, Nicole Richie, Jessica Alba, Jennifer Aniston, Angelina Jolie, and just so many others. It’s a lot of fun, and I plan on doing it again real soon.
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DRC: Lastly, every actor or actress has his or her own “this is it” moment. What was yours? When did you know you wanted to devote your life to the entertainment industry?
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KNIGHTI have been writing music since I was 11.  And my father was a very famous song writer. I used to sing and dance for Frank Sinatra, Rick Nelson and Dean Martin, when they came over to the house.  So, I kind of always knew what path my life was going to take.  (Smiles) I guess it was more of a natural environment.
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Tuesday Knight continues to wow, after thrilling audiences in so many facets for years. Be sure to follow Knight’s powerful surge of femininity on Twitter and IMDB.

I DON’T DO REALITY: An Interview with Gabrielle Stone

Gabrielle interviewInterviewee Gabrielle Stone (above right) in Harrison Smith’s Zombie Killers: Elephant’s Graveyard – 2015. / DRC writer Tyler Keeton (above left).  / Image rights belong to respective owners and not DRC.


Actress Gabrielle Stone was destined for a life in creative energy and force from the start. As the beautiful daughter of esteemed horror icons Dee Wallace (E.T.CujoThe Howling, Rob Zombie’s Halloween) and Christopher Stone (CujoThe HowlingLove Me Deadly), it was only a matter of time before the young starlet embarked on her own path to success. Stone’s most recent feature, Zombie Killers: Elephant’s Graveyard (Harrison Smith, 2015), was a modernized entry into the zombie sub-genre of horror, and featured her acting alongside her mother. The film was met with acclaim from fans and critics alike, arguing it offered a fresh take on survivalist and feminist cinema. Check out the trailer (above).
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Independent horror cinema has seen quite the evolution in the past few years, with several entries leaning towards a throwback to classic plot lines and monstrous entities. As February 2016 has been deemed the 7th Annual “Women in Horror Month,” it was important to DRC writer Tyler Keeton to interview a powerful female — not specifically bound by the confines of the genre, but all corners of the entertainment industry — who has her groundwork laid out and knows exactly where she plans on going. Ms. Stone has also recently acted in Cut! (David Rountree, 2014),and Speak No Evil (Roze, 2013), the latter of which featured her in a chilling lead role.
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While Stone has strong roots in horror, she does not want to be known as a strict genre worker. In a new chat with DRC, the lovely actress speaks out on acting as a powerful force and artistry, shares her experiences growing up with acclaimed actors for parents, and spills some of her upcoming projects. Check out the interview (below)!
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DRCWhy is acting so important to you? How does it feel seeing your work on screen?
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STONE
I love acting for so many reasons. I love creating art that makes people feel different emotions. And it’s helped me heal and get through some difficult hardships of my own. Some roles have really been like…therapy for me. When you can use what you love to make other people feel, there’s no better job in the world.
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(Gabrielle [right] alongside mother Dee Wallace [left] {image does not belong to DRC})
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DRCIn a world so riddled by and obsessed with popular culture, what was it like growing up with internationally successful actors for parents? Were you allowed to see their films as a child?
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STONEI saw all their “appropriate” stuff as a child. It baffles me when I hear kids were seeing Jaws and A Nightmare on Elm Street when they were five. I think I saw Scream when I was thirteen or fourteen…and didn’t sleep for a month. So I definitely watched E.T., the new Lassie series they did, her series Together We Stand…but Cujo, The Howling…those all came later. I think I saw The Frighteners when I was a little younger, because I was on set for all of it. So I did see that in theaters when it came out. But once I saw Cujo, I started to love the genre, and as I grew up, definitely fell in love with scary movies. 
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(Stone in Zombie Killers: Elephant’s Graveyard.)
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DRCYou are quickly building a legitimate and credible portfolio of acting credits. Director Harrison Smith is full of quirky, fresh takes on classic horror cinema. What was it like working with him on Zombie Killers? Are there any wild stories from set?
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STONEI love Harrison. He’s a great director, who has become a great friend. Zombie Killers was an absolute blast. He’s super easy to work with, and really lets you have fun and trust your instincts. Stories from set? Most (stories), I would probably get a ton of people in trouble if I told! (Laughs) I do remember absolutely freezing my ass off during the scene with Mischa (Barton) and I. It was 7am…in a bra…and refrigerated blood. I was like violently shaking and shivering. Harrison kept saying, “Don’t worry…you just look really scared!” 
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DRCSpeak No Evil was one of your first feature-length acting credits. How did you land the role? How did that film influence your current stance on staying in the industry? 
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STONEIt wasn’t my first feature, but my first starring role in a feature. The casting director, Helen McCready, recommended me to (director) Roze. That film was such a blessing. I absolutely loved the whole cast and crew, and Roze and I are good friends now and have worked together twice since. It was a huge learning experience to see that I could handle a film that I was in, in every scene. I’m really proud of it. (Smiles)
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DRCAs a powerful female on the rise in the world of horror, what is your reasoning behind horror being so important, as an art form? Who are some of your biggest female influences in the genre? Is there any particular actress you’d love to work with?
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STONEI don’t really view myself as a female on the rise in the horror genre. I get offered a lot of horror roles that I turn down if the material isn’t strong. It has to be the right horror for me to want to do it. I don’t want to get stuck in any specific genre as an actress, because I love many genres. The horror fans, though, are insanely awesome, and I love being able to be a part of the horror world. It’s so cliché, but once I saw Cujo, I knew I wanted to be an actress. I think my mom’s performance in that film is mind blowing. There’s a ton of people I want to work with…the list grows daily. (Smiles)
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(Stone’s mother, Dee Wallace, in The Howling.)
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DRC2016 is full of new releases. Are there any films you are most looking forward to seeing?
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STONEI’m definitely looking forward to seeing a lot of the festival films that were at Sundance this year. Outlaws and Angels. I’ve worked with the director, JT Mollner, on three shorts, so I’m excited to see his first feature. I’m such a huge movie fan.
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DRC: Are there any other projects you’re working on this year?
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STONEI’m currently raising the last funds to direct my first short titled, “Stay.” Super excited to jump behind the camera, although I’ll also be acting in it. I just finished two films. Dance Night Obsession, with Sabrina Bryan and Antonio Sabatto Jr., should be out sometime this year. Also a drama/fantasy, Ava’s Impossible Things, that I am beyond excited to see. There’s also a ton in the works that I can’t talk about yet. I’m so excited for what this year is looking like so far! 
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DRC(Laughs) The time has come. Every reality star has his or her own shallow tagline on the series’ opening credits. What would your tagline be, as a fearless lady in the business of film?
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STONE: (Grins) “I don’t f****** do reality.”
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Gabrielle Stone is truly a young force to be reckoned with. Follow her current and future projects on Twitter and IMDB, and look forward to seeing her face on the big screen time and time again.

 

 

A MORE ADULT WORLD: An Interview with Jeffrey Landman

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Interviewee Jeffrey Landman (above left) performing at Ryan Black’s “88’s Cabaret” in West Hollywood, CA – 2009. / Halloween 5 original artwork (above center). / Landman’s performance as Billy Hill in Halloween 5 (above right). / Image rights belong to respective owners and not DRC.

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It is always fascinating to witness the meteoric rise of an individual so well-versed in different areas of creative ability. Actor Jeffrey Landman proves to be an inspiration on and off the silver screen. At the young age of eleven, Landman earned his eternal place in the hearts of the horror fandom as Billy Hill in Halloween 5 – one of the most inventive, gruesome entries to the franchise. His performance in the film proved a sense of vulnerability, emotional connection, and maturity beyond his years. Much like John Carpenter‘s original film, the franchise once again returned to a focus on terror through the eyes of preadolescence.

Check out a tender moment between Billy (Landman) and Jamie (actress Danielle Harris) below.

After seeing a new interview of Landman in a bonus feature documentary for Anchor Bay Entertainment and Scream Factory‘s Halloween: The Complete CollectionDRC decided to contact the actor in September 2015 via Twitter. Long before the official launch of DRC, the playful tweet (below) provided motivation to eventually interview Landman for the site. Charming and wise in the art world, Landman is a theatrical force to be reckoned with.

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Although genre fans may remember him for his slash-tastic performance as Billy Hill, Landman now focuses on his work in the world of theatre. Landman is currently taking the stage in his role of Edward Kleban in Coachella Valley Repertory‘s production of A Class Act. Landman is receiving endless amounts of recognition for his dedication to the role and the world of the show. Writer Jack Lyons of Desert Local News praises Landman: “Jeffrey Landman plays (Edward) Kleban with charm, style, and terrific timing. He sings, he dances and he emotionally draws the audience into his nuanced performing orbit by the sheer force of his talent.” 

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Landman (above) embraces his writer side in A Class Act (image belongs to CV Rep).
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Between endless rehearsals, previews, and performances, DRC had the privilege to have a brief, but insightful glimpse into the life of the astounding actor. In this NEW interview (below), Landman chats with DRC about life as a child actor, his own favorite films, and his biggest theatrical accomplishments to date.

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– DRCWhat, to you, makes the horror genre so important? As someone whose face is remembered on the silver screen by so many diehard fans, how would you handle someone approaching you for a major horror film today?
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LANDMANEveryone loves a good scare. That moment your heart starts racing….. (Smiles)  If anyone out there is looking to cast their horror film, I am certainly always open to return to the genre that has brought me so much.
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DRC2015 was a huge year for the horror genre. From the kooks of Roth’s The Green Inferno to del Toro’s highly anticipated period-pressed Crimson Peak, the year’s releases crossed nearly every nightmarish territory. 2016 is a new year. What do you foresee being the big release of 2016? Is there any particular film you’re most looking forward to?
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LANDMANI am really looking forward to Pride and Prejudice and Zombies, as I was a huge fan of the book, and the entire genre of classic literature/horror mash-ups. I like a little bit of a sense of humor in my horror films, and hopefully, the “wink” factor will be there. I would LOVE to see a return to the 1980s style of horror. Those films had a fun, campy element to them. I recently re-watched the entire Elm Street canon, and they had a wonderful amount of fun — something I think is somewhat lacking in our current horror films.
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DRCBeing a child actor has its perks and its cons. Most seem to crumble under the pressure, but you have made a lovely life for yourself. Tell our readers a little about your experiences in Halloween 5. What was it like having media attention as a child? Has it influenced the way you perceive the world today?
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LANDMANI was very lucky with the way my childhood career played out, in that I was never really under a lot of media scrutiny. It was such a different time — really the pre-internet age. I was able to avoid the trappings of what we currently assume about child actors. I also have a wonderfully strong family that truly put me and my needs first and foremost. It was also very helpful that during Halloween 5, I had Danielle Harris in every scene with me. Since there were two kids on set, everyone went out of their way to ensure we were taken care of and were never scared on set. Being a child actor certainly has changed the way I view the world, in that I had a different set of childhood experiences than the average kid. I was forced to grow up in a more adult world than most children, and had to make grown-up choices when other kids were still being kids. But I wouldn’t have it any other way.
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DRC: What was it like working with the legendary Donald Pleasence? Are there any stories you remember with him on set?
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LANDMANDonald was a wonderful presence on the set and it was such an honor to work with such an amazingly accomplished actor. Especially working with him on a Halloween movie, as he is (and always will be) the branch connecting the series. He was wonderful to Danielle and I, and would spend time in the makeup trailer telling stories about his career and life. My only regret is that I was too young to really understand what a gift it was to spend that time with him.
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DRCI see you’ve made a name for yourself in the world of theatre. Tell us how you broke into theatre. Any crazy stories from backstage?
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LANDMANI actually started in theatre, and was appearing on Broadway in Les Miserables, at the time I was cast in Halloween 5. After the film opened, I returned to the stage, appearing on Broadway again in the early 90’s in Falsettos. For the past two decades, I have been working steadily on stage and in the recording booth. I would have to say that my biggest accomplishment to date was starring in one of the biggest Broadway hits ever at the age of ten, after my very first audition. As for funny things happening backstage, all my fun stories basically involve someone messing up…(Laughs) Not very fun out of context.
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DRCWhat has been your favorite theatrical accomplishment to date?
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LANDMANEvery show I have done has been wonderful for its own reasons, but my favorite HAS to be appearing on Broadway at age 11 in Les Miserables. Being my first job ever, it will always have that place in my heart. To say it changed my life is a supreme understatement, and no matter what else happens, I will always have that experience of being a part of such a mammoth show that everyone the world over has some connection to.
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DRC: If you could pick three of your favorite films, what would they be and why? Are there any films that have changed your perception of life and existence?
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LANDMANIn no order…All About Eve. BRILLIANT acting and writing! All That Jazz. It’s an amazing look at life as an artist, and it’s visually stunning. The Long Kiss Goodnight. Such a very underrated movie. I just love it. I would say that All That Jazz changed my life…in the way I view art, and understanding the drive and passion to make it.
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DRCNothing should be overly serious. Every reality star has his or her own tagline. Something shallow, like, “People try to rope me in…but I lead this rodeo.” What would your tagline be, Mr. Landman?
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LANDMAN: (Laughs) B-B-Billy may stutter, but Jeffrey always speaks clearly.

Landman shows off his impeccable chops (above) in a performance for the “Back to Bravo” Benefit for Camp Bravo 2014. Be sure to follow Landman on Twitter. The world is his platform for entertainment.